It’s been an awful year and not just because of Covid-19 and successive lockdowns. Speaking purely from a writing perspective, it’s been the worst twelve-months

On January the 3rd I signed a Right To Pitch Agreement with Hellfire TV for my TV mini series DEBT. DEBT – A desperate husband

The final draft of my adaptation of Douglas Hill’s 80s sci-fi novel YOUNG LEGIONARY has been handed in to Plenitude Productions. I had a massive

Writers’ Block isn’t real! There, I’ve said it. I know, madness, right? But no, it’s true, writers’ block doesn’t exist and here’s why. Writers’ block

I read a lot of screenplays from writers of all abilities and the one thing I often find these screenplays lack are credible character arcs.

I’m proud to announce I have been commissioned to write the feature adaptation of the 80s young adult sci-fi novel YOUNG LEGIONARY for Plenitude Productions. This

I was chatting with a fellow writer the other day and she mentioned how difficult she found writing dialogue. It was easy to empathise with

I was chatting with a friend and fellow graduate of the BA (Hons) Screenwriting for Film and Television at Bournemouth University and was surprised when

Subtext (noun) – a hidden or less obvious meaning. To use subtext correctly takes a great deal of skill and plenty of practise. It took

To be a writer requires sacrifice… a lot of sacrifice… and I don’t mean chickens, virgins or your fellow writers. What I mean is hard